Every frame deserves its own sound
When a film reaches for emotion, music is what catches it. I am Orazio Saracino, a composer who writes original scores for cinema. My approach begins with the script, not the screen, and with the emotion, not the effect. I work with directors and editors to shape music that moves in step with the story, frame by frame.
My experience spans feature films, shorts, and poetic branded films. What matters most to me is whether the music helps the story speak. I compose everything from scratch. There are no templates, no repurposed tracks, no shortcuts. Every note is written to reflect your tone, rhythm, and vision.
Projects I’ve worked on include:
- Mundije, a feature-length drama with Eric Roberts and George Lazenby
- Winter Can’t Wait, a visual short directed by Paolo Sorrentino for Moncler
- Rage, which earned me Best Music in a Short Film at Bridge Fest in Vancouver
I studied classical composition and jazz piano at the Conservatory of Bari, followed by a master’s in music for film and television. My compositions have been nominated internationally, and my work continues to evolve with each collaboration.
Composing for film is an ongoing dialogue. My role is to listen carefully to the story and respond through sound. For directors who value emotional nuance and musical intention, I provide original scores that support the narrative without ever overwhelming it.